top of page

Mannequin Mom

My mom decided when I was ten

she was different from other moms.

The year after nana died, she dropped

therapy, then traded herself in for a

replica of her body, fully equipped


with a new consciousness and self,

backed up and downloaded in a brand

new fiberglass and plastic frame. It

was cool at first, getting a new mom,

but she started pouring wine


into my cereal as toys gathered dust.

We played croquet only one time

for Mother’s Day, shooting balls

with mallets until our fingers bled

—well, my fingers bled. More perks:


all her spare parts and plastic doohickeys

which I wasn’t allowed to tinker with.

Not having a stomach anymore helped

keep her figure, she said. Good for her.

In fact, my mom is still alive, if you can


call it that—she says the software updates

from the manufacturer really do help,

more than the antidepressants ever did.

She’s finally feeling like herself again.

I look up and squeeze her plastic hand.

Rebecca O’Bern is a writer published in Notre Dame Review, Whale Road Review, Barely South Review, Buddhist Poetry Review, Storm Cellar, Connecticut Review, and elsewhere. A recipient of the Leslie Leeds Poetry Prize, she’s also received honors from UCONN and Arts Café Mystic. Find her on Twitter @rebeccaobern.

Issue 10 Cover, created by Ninja Jo
bottom of page