Mannequin Mom
My mom decided when I was ten
she was different from other moms.
The year after nana died, she dropped
therapy, then traded herself in for a
replica of her body, fully equipped
with a new consciousness and self,
backed up and downloaded in a brand
new fiberglass and plastic frame. It
was cool at first, getting a new mom,
but she started pouring wine
into my cereal as toys gathered dust.
We played croquet only one time
for Mother’s Day, shooting balls
with mallets until our fingers bled
—well, my fingers bled. More perks:
all her spare parts and plastic doohickeys
which I wasn’t allowed to tinker with.
Not having a stomach anymore helped
keep her figure, she said. Good for her.
In fact, my mom is still alive, if you can
call it that—she says the software updates
from the manufacturer really do help,
more than the antidepressants ever did.
She’s finally feeling like herself again.
I look up and squeeze her plastic hand.
Rebecca O’Bern is a writer published in Notre Dame Review, Whale Road Review, Barely South Review, Buddhist Poetry Review, Storm Cellar, Connecticut Review, and elsewhere. A recipient of the Leslie Leeds Poetry Prize, she’s also received honors from UCONN and Arts Café Mystic. Find her on Twitter @rebeccaobern.