Pot-au-Feu (How to Eat the Rich)
by Shana Ross
1. In this case, death
is a protective measure
and not enough
for justice. Therefore take
what is left of his prime
meats and find
a place that will be
inhabited
for a hundred years.
You cannot move
the stew once started.
2. Pile the rich
man into the pot
cover with water, soft
as you find, a nod
to the leaching earth
what is taken with us
as we descend like rain.
Bring to a boil, then simmer,
not the reverse. In the morning
skim the fat. Distribute
this to the masses
with salt and razor-
shaved radish, layered
thick over black bread.
3. Add a clean stone—
size of a fist, size of a heart
—to the darkening
broth. Do not reduce
the heat further.
4. Add roots, scrubbed clean.
Add allium, chopped
cabbage and corn, two
tins of tomato paste.
Splash with dry red wine.
Season with herbs heavy
on the tarragon, crushed
black pepper, a pinch
of nutmeg. When thick
and fragrant, serve
garnished
with lemon to cut
the richness.
No more than half
the pot each day.
5. Replenish
with willing offerings
all the people
bring forth to be shared.
Maintain the heat.
Keep feeding everyone.
6. Allow the seasons
to echo: in the pot, in the people
as we will come to say.
Chrysanthemum
greens, for times of joy.
Dandelion bitters at the end
of spring. Rosehips and
sage when young people
find love. Rutabaga
over the long winter.
Squash seeds roasted
and ground to bind,
sweeten the obligation
of consumption, a sinless
reclamation, shared.
7. When the bones have gone
the way of cartilage,
their pleasant thickness
passing through
your mouth, no resistance
as you and your children
solemnly chew, it is time
to begin asking:
has the debt been paid?
On the unanimous day
and no sooner
you may serve
the entire pot, drain
its reserves. Finish the dregs
over egg noodles,
sprinkling chopped
chives, a spot of cream
in bowls wide enough
to be licked clean.
8. Rinse the stone
and leave it behind
in a place of no honor
the mark of a debt paid.
Cents on the dollar.
Hunger
infinite as stew
will return
in the morning
we all discover
if have we learned
to feed each other—
Shana Ross is a newcomer to Edmonton, Alberta, and Treaty 6 Territory. Qui transtulit sustinet. A Rhysling-nominated poet, her work can be found in Augur, The Deadlands, Small Wonders, Strange Horizons, and more. She works hard to keep things alive: a husband, son, three cats, several houseplants, a vintage sourdough colony, and hope—always, hope.

